In defense of the scapegoat – A review of “Fields of Blood: Religion and the History of
Violence” by Karen Armstrong

In addition to the display of an encyclopedic understanding of the evolutions of the world’s major religions and societies, the author also advanced two important concepts that I found novel and compelling. The first is the necessary and foundational role of “structural violence” in creating the agrarian state: the precursor to modern states. The second concept is the redefinition of the sacred as something (an idea, a belief etc.) that people are willing to die for.
The author argues that in making a transition from hunter-gatherer societies, human beings had to embrace systematic and structural violence. Life was very simple and limited in hunter-gatherer societies: the rhythm of life was determined by the sporadic availability of wild plants and fruits for gathering and animals for hunting. The adults of each family gathered and hunted the food required at a given time. Everyone was involved in getting food and there was no surplus to speak of. In such a society wholly devoted to subsistence there could be no scientific, religious or aesthetic advancements. However, for civilization to advance a new class of thinking elite (priests, philosophers, architects etc.) had to develop and these people who are essentially “idlers”, in a strict agrarian sense, had to be maintained somehow. The only sure way to ensure this was to compel the peasant to do extra work in order to generate the surplus needed to maintain the elite. Since many humans are rational and will gladly stop working once their needs are met, “structural violence” became necessary to keep peasants in-line and busy generating the surplus required to keep the thinking elite fat and happy. Religion came in very handy as the hand maiden of this structural violence and from this unholy marriage came the birth of human progress.
While I found the idea of structural violence to be very interesting, I thought the related idea of defining the sacred as anything people are willing to die for to be the more novel of the two concepts. Redefining the sacred in this way allows a reader to see religion-inspired conflicts as only a subset of conflicts sparked by belief in sacred ideas and to identify secular sacred ideals as another big inspiration and motivator for conflict and bloodshed.
A good example of a time and place where secular ideals attained sacred status was in post-revolutionary France. The armies of Napoleonic France fought with as much fervor and fanaticism as any religiously inspired army led into battle by crucifix-bearing clergy. A flavor of the sacred nature that the Napoleonic armies attached to the ideals of their cause can be gleaned from the lyrics to the army’s main battle anthem, the Chant du Depart. The chorus of the song (below) could easily have come from a religious song and it shows that the believers in the revolution had essentially elevated the ideals of the republic to something akin to a sacred cult and for this cult the soldiers would gladly lay down their lives.
La République nous appellee
|
The Republic is calling us
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Sachons vaincre ou sachons périr
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Let's know how to vanquish or
let's know how to perish
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Un Français doit vivre pour elle
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A Frenchman must live for her
[the Republic]
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Pour elle un Français doit mourir
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For her [the Republic] a
Frenchman must die
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